6. AOTW: To outline or not outline --- that is the question. Jeffery Deaver recently authored an article in Writer's Digest which discussed the importance of outlining; King seems to do what he does without one, and Robert P. Parker, for another, professes that he has no idea what's going to happen when he begins a book. Do you outline before you begin a novel? Or do you sit up and let things proceed as they may?

 

Noreen Ayres: "First you say you do, and then you don't..." Remember that old song? I try to outline, I do. But I have a woeful attention span. I have in impoverished imagination: I just can't see that far to the end. I may have a vague idea of the ending, but the discovery mostly comes page by page. That makes for wasted motion to be sure; and uncertainty, and self-doubt, and filled wastebaskets. If you can and do outline, I celebrate your gift. It's just not my habit, nor my preference.

Jeffery Deaver: I guess from the reference in the question it's pretty clear where my prejudices lie. Every writer has different goals; mine is to create a well-structured story that delivers emotional punches at appropriate times. Doing this involves carefully guiding the main story, the subplots and the back stories relating to all of them and to a resolution with, ideally, several twists at the end. Although many writers can produce a book like this by simply sitting down and writing without an outline, I can't. If I were to I'd end up with characters and a story that might be insightful and interesting (or might not) but that would be far too unfocussed for my liking. I know, I've done it. There are, of course, many other types of books for which outlining would be unnecessary, if not destructive: for instance, a character-driven novel or, as Stephen King describes his books, one that was situation driven.

Lisa Scottoline: As I have said, I do not outline. It suits me, and I couldn't do it any other way, but I have rationalized it thus: it is important in any novel for the story to flow in a logical fashion, carrying the reader along. If I write the novel as I go --- simply asking what would happen next as my guideline --- then the narrative will always flow nicely and smoothly. Characters will be consistent and the tone will be even. I will be as surprised as the reader as the story twists and turns, which it seems to, inevitably. In any event, this is a fun and interesting way to write and figuring it out in advance just sounds like school to me. I don't have to go to school anymore.

Brad Meltzer: I outline 50-100 pages at a time and that's as far as I go, because I think the book has to progress over time. If I outline too much there's no room for spontaneity if I outline too little I have no idea where I'm going I end up rambling on and on. So I always keep it short. How's that for a make-everybody-happy answer.

Laurie Halse Anderson: I outline the first few chapters, just so I have a sense of direction. Once I get going, the characters throw me in the trunk and take the wheel. I am just along for the ride.

Daniel Handler: Outlines are essential in a piece of writing for the same reason they're essential at the scene of the crime. We draw a chalk line around the person who died on the sidewalk so, when time passes, we can have a glimpse of what you found so captivating, a clear clue as to why we're doing what we're doing. Of course, the outline is not the whole story --- we don't know what the victim's last words were, or what exactly was in that briefcase, or the killer's current location --- but at least we have something to go on. Writers who say they don't outline are liars, because if you know what the end of the sentence will be before you type it, you're outlining. Otherwise it's called automatic writing, which makes you either psychic or a fraud.

Jonathan Kellerman: As I've noted, I outline. My books tend to contain multiple story lines, and I'm not smart enough to keep it all in my head. Outlining also lessens the probability of writer's block --- for me. There are no rules, everyone's different. Interestingly, once I complete the outline, I rarely consult it. When I finish the book, I do go back and review and, more often than not, the end product is something quite different from the outline.

 

 

 

 

 

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